The IMDb editors are anxiously awaiting these delayed 2020 movies. He meets a series of characters that … Gavin O’Conner (Miracle, Warrior) is modern cinema’s preeminent sports-drama director, a status he maintains with The Way Back, a conventional but deeply felt story about addiction, anger and the rough road of rehabilitation. Sharply incorporating closed-captioning into its storytelling, it’s a quiet-LOUD-quiet portrait of finding peace in the present stillness. Putting a poignant face on a contentious social topic, Never Rarely Sometimes Always tells the story of pregnant Pennsylvania 17-year-old Autumn (Sidney Flanigan), who with her loyal cousin Skylar (Talia Ryder) by her side, travels to New York to procure an abortion. Charlie Kaufman once again descends into a surrealistic pit of death and despair with his adaptation of Iain Reid’s 2016 novel, which charts a road trip by Jake (Jesse Plemons) and his girlfriend (Jessie Buckley) to his parents’ rural farmhouse home. Acting doesn’t come much bolder and more blistering than in Ma Rainey’s Black Bottom, George C. Wolfe’s adaptation of August Wilson’s 1982 play about a 1927 Chicago recording session by real-life blues legend Ma Rainey (Viola Davis) and her backing band, comprised of trombonist Cutler (Colman Domingo), bassist Slow Drag (Michael Potts), pianist Toledo (Glynn Turner) and trumpeter Levee (Chadwick Boseman). Oldman is magnetic as the dissolute scribe, and Seyfried is even better as the not-as-dumb-as-you-think blonde starlet. All 4 parts of the power star series is now combined into one big movie! Thrillingly grand and revealingly intimate, it paints a timely portrait of the heroism, and sacrifices, required to uphold democracy. fonctionne comme un annuaire de vidéo en streaming présentant des films, séries, mangas et documentaires. Autobiographical tales of trauma don’t come much more wrenching than Rewind, director Sasha Neulinger’s non-fiction investigation into his painful childhood. is your reference guide to episodes, photos, videos, cast and crew information, reviews and more. Pageviews for each item are divided by the aggregate number of pageviews generated by the items displayed. There may be no more suspenseful moment in cinema this year than the sight of David running after Soon-ja – nor one more affecting. Although most were viewed on inadequately small screens, the legion of fiction and non-fiction releases that helped us cope with our pandemic-wracked reality delivered welcome doses of excitement, drama, terror, and humor. Aided by Liberato’s accomplished performance, first-time writer/director Jeffrey A. At its midway point, McQueen’s film becomes a straightforward courtroom drama about the fight against prejudice and for justice. Accepting fate, letting go of the past, and defining a new identity are all processes that require help from others, and thus prove deeply painful for Ruben, whose tattooed torso and bleach-blonde hair speak to his gung-ho go-it-alone spirit. Menu. 'Power Star' is a parody take on Pawan Kalyan's political stint and reportedly his fans even attacked RGV's office for making such a film on their favourite celebrity. Though you won’t hear Harvey Weinstein’s name uttered once, his presence is palpable throughout this clinical story about Jane (a sterling Julia Garner), whose position as the low woman on the totem pole at a film production company necessitates enduring mistreatment of both a subtle and overt sort. These are the phenomenal films that helped us overcome a challenging year. BluRay YTS.MX. 37min | Short, Drama | 25 July 2020 (India) 4:04 | Trailer. Power (TV Series 2014–2020) cast and crew credits, including actors, actresses, directors, writers and more. Perkins sticks relatively closely to his source material’s narrative while nonetheless reshaping it into a story about feminine might and autonomy, and the potential cost of acquiring both. A companion piece to last year’s excellent The Cold Blue, Erik Nelson’s Apocalypse ’45 imparts a striking sense of WWII chaos and carnage via newly unearthed and restored material shot during America’s campaign against the Japanese in the Pacific theater. And you can watch them right now. In this situation, scary things and some crazy people ... See full summary ». While we can’t celebrate them all, this year-long rundown has certainly tried to do justice to the finest that filmmakers had to offer. Alice and Roberta’s bond is particularly fractured thanks to the latter’s suspicion that her real-life ordeals were exploited by the former for her Pulitzer Prize-winning novel. Less an attempt at a cohesive life story than an act of experimental expressionistic portraiture, it’s an audacious drama that energizes the staid biopic genre. Drinks and hallucinogenic edibles help alleviate the initial awkwardness of this get-together, but the good times are fleeting, thanks to a strange mist emanating from the dark, furious depths of the ocean, which contaminates the area with glowing Lovecraftian foliage and giant, slimy organisms. Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music. He meets a series of characters that represent people like his star mega brother, ex AP CM, a journalist and finally, the surprise is the entry of Ram Gopal Varma himself who speaks to Prawan Kalyan and tells him what went wrong and what kind of a fan actually he is of him. Ammonite takes a few dramatic liberties in painting a picture of the affair between real-life self-taught paleontologist Mary Anning (Kate Winslet) and younger married Charlotte Murchison (Saoirse Ronan). Hi! Splitting his documentary into chapters based on Chatwin’s books, and guiding his action with typically lofty narration, Herzog embarks on the sort of “erratic quest” for answers to existence’s biggest questions that were favored by Chatwin. n'héberge et n'est l'auteur d'aucune des vidéos présentées. That said, if Montgomery was told that he and his fellow castmates are done (and freed from their likely multiple-film contracts), then that is a reliable indicator that Power Rangers 2 isn't happening. Czech artist Barbora Kysilkova responded to the theft of two prized paintings by befriending Karl-Bertil Nordland, the drugged-out gangster behind the crime. That Buñuelian device speaks to the masculine and feminine sides of both characters, whose ups and downs together and apart form the basis of Boaz Yakin’s (Remember the Titans) unconventional semi-autobiographical tale. The modern gig economy receives a thorough thrashing by Ken Loach’s Sorry We Missed You, another sober class-conscious drama from the celebrated British director. With a stony countenance and dark eyes that mask his interior thoughts, Ahmed is a chilling protagonist in thrall to a rigid ideology that preaches violence against all heretics. Those sequences, as well as a disaster-wracked finale, also capture her gnawing anxiety about finding her way – an issue that also pertains to her dream of becoming a singer, which manifests itself in two separate fantasy sequences that prove highlights of Kurosawa’s idiosyncratic latest. A dramatic account of the historic embezzlement scandal that engulfed Tassone and his colleagues – most notably, assistant superintendent Pam Gluckin (Allison Janney) – Cory Finley’s film (based on Robert Kolker’s New York Magazine article) is a ruthlessly efficient and even-keeled affair about the intense pressures of suburban academia, where educational-ranking achievements and college acceptance rates are intimately intertwined with real-estate prices. Brian Eisch’s overseas tours of duty took an immense toll on his two young sons, Isaac and Joey, and his return home from the battlefield with a catastrophic leg injury only compounded their unique family dynamic. An honest officer fights to bring down a corrupt and dangerous cop, and attempts to bring down the entire Mumbai mafia with him. 2020 Movies: A list of movies in theaters + released in 2020. This FAQ is empty. Ruben is a recovering junkie whose quest to regain his auditory senses is its own form of addiction, and Ahmed embodies him with equal parts ferociousness and anguish. In a countryside beset by an unknown plague, teenage Gretel (It’s Sophia Lillis) refuses to work as an old creepy man’s housekeeper, and is thus thrown out by her mother, forced to take her young brother Hansel (Sam Leakey) on a journey through the dark woods to a convent she has no interest in joining. Shiva is disgusted by the corruption in and around his new college, and along with his friends, he decides to take a stand against the status quo. Crucifixes and fire are twin motifs underscoring this gorgeously austere, bleak tale about intolerance, oppression, dehumanization and the scarring struggle to survive, which descends into darkness with its haunted eyes wide open. Or is it a tool of other sinister forces preparing to strike? Top movies 2020: Fatale • News … Use the HTML below. Find 2020 movies to stream on demand and watch online. Writer/director Bryan Bertino once again takes a simple premise and maximizes it for unbearable tension, drawing out white-knuckle suspense from Louise and Michael’s efforts to grapple with tragedy (and impending loss) while simultaneously reckoning with unholy forces beyond their comprehension or control. There’s no filmmaker working today more adept at generating scares via the sudden appearance of shadowy background figures, or at prolonging sequences to their nerve-wracking breaking point. Grief is a monster that you can neither fight nor flee in Swedish director Johannes Nyholm’s Koko-di Koko-da, a surreal nightmare about a married couple (Leif Edlund and Yiva Gallon) that, in the aftermath of their daughter’s unexpected demise, goes on a camping trip in the woods. No matter its conventionality, however, Parkes’ heartfelt performance as Crichlow, a man who wanted to realize a dream and came to understand that he’d created a vital hub for his community, is so enraged and aggrieved that, alongside Letitia Wright’s turn as Altheia Jones, it invigorates this legal affair. Cruel blackmail soon proves to be Masha’s means of coping with loss, but healing is in short supply in this ravaged milieu. An immigrant who rivaled Thomas Eddison (Kyle MacLachlan) and partnered with George Westinghouse (Jim Gaffigan), JP Morgan (Donnie Keshawarz), and Sarah Bernhardt (Rebecca Dayan), Almereyda’s Tesla (Ethan Hawke) is a stoic genius with determination in his eyes and sadness at the corners of his mouth. Spike Lee goes for broke with Da 5 Bloods, tackling historic and modern racism, oppression, guilt, greed and brotherhood through the story of four Vietnam Vets (played by Delroy Lindo, Clarke Peters, Isiah Whitlock Jr. and Norm Lewis) who, along with the son of Lindo’s character (Jonathan Majors), return to Southeast Asia to both recover the remains of their fallen comrade Stormin’ Norman (Chadwick Boseman) and to find the gold they buried years ago. Overpoweringly desolate and moving, it’s a vision of paralyzing individual, and national, PTSD – and, ultimately, of women banding together to forge a new future. Report. That proves to be an arduous state of affairs given that his wife Abbie (Debbie Honeywood) is a home care nurse who works long hours (also for “herself”), and their son Seb (Rhys Stone) is a school-skipping, graffiti-spraying teen who – having seen the incessant, back-breaking toil and anxiety that comes from his parents’ chosen paths – has opted instead for delinquency. Despair, desire, and madness are all entangled in Josephine Decker’s Shirley, about the late horror writer Shirley Jackson’s (Elisabeth Moss) attempt to pen her sophomore novel Hangsaman while dealing with her unfaithful critic/professor husband Stanley Edgar Hyman (Michael Stuhlbarg) as well as two boarders, aspiring academic Fred (Logan Lerman) and his pregnant wife Rose (Odessa Young). Anxiety about mortality turns out to be more pronounced than ever, particularly via Coogan’s Ingmar Bergman-esque dream sequence, which is related to dismay over his father’s failing health. One of five features included in 12 Years a Slave director Steve McQueen’s “Small Axe” compilation, Mangrove dramatizes the real-life story of the Mangrove Nine, a group of Black British West Indians from Notting Hill who were charged with inciting a riot after they marched in protest against police harassment and brutality – all of it centered around Frank Crichlow’s (Shaun Parkes) The Mangrove restaurant. Led by Martin (Mads Mikkelsen), whose indifference in the classroom is matched by his apathy at home with his wife (Maria Bonnevie) and two kids, the quartet begins imbibing during working hours, only to discover—voila!—that being a bit buzzed has transformative effects on their teaching, relationships, and disposition. Director Pietro Marcello’s adaptation of Jack London’s caustic 1909 novel relocates its action from America to Italy (circa the decades between World War I and II) to follow the tumultuous trajectory of Martin Eden (Luca Marinelli), a lowly sailor inspired by his aristocratic paramour Elena (Jessica Cressy) to embark on an autodidactic quest to elevate himself educationally, culturally and politically. Aviva tackles the multifaceted nature of gender identity in fittingly diverse fashion, depicting the highs and lows of a couple’s relationship via narrative and modern-dance means – as well as by having both a man and a woman play each of its protagonists, male Eden (Bobbi Jene Smith, Tyler Phillips) and female Aviva (Zina Zinchenko, Or Schraiber). Those jaw-dropping sights alone make Nelson’s latest a must-see. Writer/director Josh Trank’s film is a subjective affair told largely from Capone’s POV, so that nothing can be trusted and yet everything speaks, symbolically, to the man’s deep-seated ambitions, fears and misgivings. Grab some popcorn, this is a long one. At the same time, his centerpiece sequences are models of formal precision and depth, as protracted shots across sprawling fields, through crowded gymnasiums, and in and out of cramped buildings create pulse-pounding tension while simultaneously conveying the propulsive flow and binding, interconnected nature of narrative storytelling itself. Wolfe keeps the material spry and sensual (as well as explosive) by keeping his roving camera trained on his stars, who swing for the fences with ferocious gusto. Dick Johnson is Dead is a daring masterpiece about the loss of loved ones, and of memory, and the movies’ ability—and, also, inability—to make the impermanent permanent. Beginning with those infants’ births, the film—from a startlingly close proximity that exudes tenderness and empathy—captures animal life in all its drudgery and beauty, full of struggle, nurturing, conflict, exploration and abandonment. The murderous threesome seems to have leapt to life from a painted music box coveted by the couple’s child, thereby casting the proceedings as a symbolic portrait of heartache as a never-ending predator intent on destruction. Movies . Menu. No one knows if 2021 will bring us back to theaters or have us continuing to experience new works on our TVs, tablets and phones. Log in. Aaron Moorhead and Justin Benson are genre filmmakers adept at crafting time-travel stories that double as subtle inquiries into the human condition, and their latest, Synchronic, is their most straightforward and high-profile venture to date. Sneaking swigs of booze, of course, has a predictable downside, and Vinterberg’s film (co-written by Tobias Lindholm) charts his protagonists’ revitalizing high and inevitable crash with compassionate attention to the malaise of middle age and the temporary bliss that comes from getting good and blitzed. Movies Games Audio Art Portal Community Your Feed. All three of these characters are suffering in their own distinct ways, due to a combination of loss, loneliness and fear, and Ahn (working from Hannah Bos and Paul Thureen’s precise script) intertwines their plights with few contrivances and a potent measure of empathy, especially once Del and Cody begin developing an unexpected bond. Story of a married couple in whose house a servant boy works. In this empathetic portrait of the scars of war, there are profound truths about grief, survival, and the ingrained patterns of our lives. Like Orson Welles’ classic 1938 The War of the Worlds broadcast, the film is a tale of potential invasion that plays out over radio waves, and Patterson thus naturally focuses on intently listening faces, and the spoken words that captivate them, as a means of generating anticipation, mystery and suspense. Most of all, though, it’s a saga about perseverance and bravery, two qualities that Neulinger – then, and now – exhibits in spades. Their handheld camerawork trailing him as he embarks on his cataclysmic rise-and-fall journey, the directors’ aesthetics are as formally rigorous and evocative as ever, capturing the unyielding nature of zealotry, as well as the difficulty of loosening extremism’s terrible grip on individuals’ hearts and minds. Their lives are further complicated by the arrival of Monica’s mom Soon-ja (Youn Yuh-jung), a foul-mouthed grandma whose relationship with David begins rockily before transforming into something profound. Courtesy of Ma’s demanding diva imperiousness and Levee’s cock-of-the-walk arrogance, the session becomes a powder keg whose fuses are related to African-American oppression, ambition and music-industry exploitation. Called back to their rural Australian childhood home after matriarch Edna (Roby Nevin) goes temporarily missing, Kay (Emily Mortimer) and daughter Sam (Bella Heathcote) discover that the past refuses to remain dormant. Season 6, Episode 11. At the head of that impressive pack (which also includes Bill Nighy) is Taylor-Joy, whose Emma exudes just the right amount of playful cockiness and ambition – qualities ultimately undercut by her realization that no amount of manipulations can change what the heart wants. Determined to document her father’s decline, Johnson charts her time by her father’s side while simultaneously, and crazily, staging fanciful fictional scenarios involving his death—from getting hit on the head by a falling air conditioner, to being accidentally stabbed by a construction worker—as well as sequences of him reveling in a glittery heaven full of dancers wearing cardboard cut-outs of his, and his wife’s, younger visages. For New Orleans paramedics Dennis (Jamie Dornan) and Steve (Anthony Mackie), life has turned out to be an unexpected disappointment, and their discontent with their disparate stations in life (Dennis is an unhappy husband and father; Steve is a lonely and aimless ladies man) is amplified by a spate of deaths that seem to be related to a new synthetic drug called synchronic that causes Dennis’ 18-year-old daughter to disappear. Everything is connected in this economical and thrilling sci-fi saga, as the writer/directors – aided by understated performances from their Hollywood leads – deliver a unique vision of intertwined fates, the links between the past and the future, and the importance of cherishing the present moment. The Power Star series comes to an end. At four-and-a-half hours, the legend’s latest sociological investigation paints a sprawling portrait of the work that goes into maintaining, and improving, a metropolis, especially when said locale is undergoing a significant demographic transformation (55% of Boston is now non-white), and its economic inequality is complicated by a host of racial, gender and class-related issues. Willem Dafoe gives a raw, unvarnished performance as a proxy for Abel Ferrara in the writer/director’s Tommaso, the story of an American filmmaker named Tommaso now residing in Rome with his young wife and child. Bad Boys For Life 2020. Hunted by police captain Liu (Liao Fan), Diao’s protagonists are engaged in a deadly game that’s played in silence because they all inherently know the rules, and their sense of purpose is echoed by the film itself, which orchestrates its underworld conflicts with bracing precision. Jean-Pierre and Luc Dardenne gaze into the dark heart of religious fanaticism in Young Ahmed, a drama that’s all the more chilling for proffering no easy answers. With City Hall, 90-year-old documentarian Frederick Wiseman trains his critical eye on the city of Boston and the many civic institutions and organizations that keep it running. In extended scenes of press conferences, presentations, boardroom meetings and community hearings—as well as snapshots of day-to-day life in Beantown’s diverse districts—Wiseman conveys the mundane toil of legislative and regulatory action. Using cheery smiles and go-getter glares to conceal profound depths of resentment, ambition and greed, Hugh Jackman gives the performance of his career as Roslyn, Long Island public school superintendent Dr. Frank Tassone in Bad Education. 9xmovies Download Latest Hindi Full Movies Bollywood Movies Dual Audio 300mb Movies South Dubbed Movies With modern economic and social dynamics as its narrative backdrop, Zhao’s film locates beauty, fear, danger and quiet euphoria in Fern’s wandering search for contentment, which proves that being alone and being lonely aren’t always the same thing. Catrin Einhorn and Leslye Davis’ intimate direction captures this family’s saga through ups (Brian’s new marriage) and downs (an unthinkable loss), in the process conveying how our dispositions and adult paths are inherently shaped by our parents (and the values they teach) as well as by the calamitous incidents that detonate our sense of stability. (2020). Forced to navigate a chauvinistic world that treats them as disposable sexual playthings, denigrates them as whores when they attempt to fulfill that role, and then thwarts their desire for agency – and independence – at every turn, Autumn’s saga is all the more heartbreaking for being so ordinary. A cry for help and a call to arms, it’s nothing short of straight-up horrifying. A gentle film that radiates overpowering compassion for its characters and their plights, writer/director Lee Isaac Chung’s Minari charts the 1980s endeavor by Korean husband/father Jacob Yi (Steven Yeun) to make something of himself by starting a farm in rural Arkansas – an American dream that worries his wife Monica (Han Ye-Ri), and poses challenges for his daughter Anne (Noel Kate Cho) and son David (Alan Kim), the latter of whom suffers from a potentially fatal heart condition. Bill and Turner Ross’ unique documentary-fiction hybrid depicts the end of the road for The Roaring 20s, a dive bar on the outskirts of the Las Vegas strip where a motley collection of boozehounds come for one final closing-night round of intoxicated camaraderie and revelry. Gaslighting gets downright monstrous in The Invisible Man, a 21st-century take on Universal’s classic unseen specter. Lapunov’s courageous desire to legally strike back at the system is one of many threads exposing the fascistic new Final Solution being perpetrated by Putin-backed Chechen leader Ramzan Kadyrov. Less a definitive answer to the question “Who deserves credit for Citizen Kane?” than a fictional drama about Herman J. Mankiewicz’s struggle to complete his most famous screenplay in a Hollywood torn between art and commerce, David Fincher’s Mank is a poison pen letter to the golden-age era that it channels with every one of its gorgeous chiaroscuro images, Bernard Herrmann -esque soundtrack notes, and artificial reel-change cigarette burns. They have confirmed that a new movie is in the works, but they've yet to officially say whether it will be a sequel or a reboot. Loungewear Is the Undisputed Winner of 2020, The 20 Best Books For These Long Winter Nights, The Coolest Tech and Gadgets of 2021 (So Far), A Cable Knit Sweater Is Your Winter Style Staple, This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. Madness has arrived in infinite-hued form, as Stanley evokes a sense of rifts opening between our world and the great abyss beyond, and delivers fantastical sights of both a CGI and practical-effects sort. That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end. The couple are constantly fighting and on the verge of a break-up and then one day something happens which puts all 3 of them through a dizzying tension. Keep track of everything you watch; tell your friends. Home is where the Devil is in The Dark and the Wicked, as siblings Louise (Marin Ireland) and Michael (Michael Abbot Jr.) discover upon returning to their parents’ rural farm to tend to their ailing bed-ridden father (Michael Zagst) and distraught mother (Julie Oliver-Touchstone). Every performance is magnificent, but no one in the cast stands taller than the diminutive Kim, whose turn is irresistibly authentic and charming. Adapted from Jerzy Kosiński’s celebrated 1965 novel of the same name, Marhoul’s film is a harrowing saga about an unnamed Jewish Boy (Petr Kotlár) who, during WWII, is subjugated to every depraved indignity under the sun at the hands of various Eastern European villagers with whom he temporarily stays. Prospect 2018. Movies. This was, in many respects, a year to forget—but not so when it came to film. Watch R G V POWER STAR Movie 2020 | RGV Pawan Kalyan Movie | Power Star Movie RGV - worldstuff on Dailymotion. 4 of 7 people found this review helpful. Romanian director Corneliu Porumboiu once again melds his interests in language and genre filmmaking with The Whistlers, a neo-noir about a police officer named Cristi (Vlad Ivanov) who travels to the Canary Island of La Gomera to learn an ancient whistling language that doesn’t sound anything like a human form of communication. Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. Though the results aren’t as dynamic as their prior collaboration, Coppola’s fizzy romantic drama nonetheless finds its headliner in outstanding form as Felix, the suave ladies-man father to Laura (Rashida Jones), with whom he embarks on an investigation into the possible two-timing proclivities of her husband Dean (Marlon Wayans). Ryan’s powerhouse performance as the fiercely determined Mari is the nucleus of this dispiritingly bleak tale, in which there are few concrete answers to be found, but plenty of blame to pass around. Those truly escalate once Buckley and Plemons’ protagonists have dinner with Jake’s crazy mom (Toni Collette) and dad (David Thewlis), and then forge onward into a snowy night where an encounter with ice cream shop girls and a trip to Jake’s old high school—and a meeting with a mysterious janitor (Guy Boyd)—further mark the proceedings as a journey into the subconscious. Bolstered by Dirisu and Mosaku’s heartfelt turns as lost souls desperate for forgiveness and peace, it’s a film whose haunting, dreamlike terror proves an expression of lingering trauma. Penetration, invasion, corruption and control are all part of this sinister techno-stew, which drenches itself in reflective mirror imagery, sexualized carnage and color-filtered visions of conjoined faces tearing apart from each other. Nonetheless, the alternately combative and chummy English pair remain in fine, funny form, and their swan song proves to be their most substantive collaboration since their maiden outing. My Spy 2020. 5 months ago | 5.3K views. 00:00 00:00 Newgrounds. On a Cape Cod getaway, aspiring astrobiologist Emily (liana Liberato) and her going-nowhere boyfriend Randall (Noah Le Gros) wind up sharing accommodations with fiftysomething couple Jane (Maryann Nagel) and Mitch (Jake Weber), friends of Randall’s dad. The director lays out the myriad forces at play in this ostensibly picture-perfect milieu in exacting detail, and his preference for longer takes means that the focus remains squarely on his performers. Steve Coogan and Rob Brydon follow the path first traversed by Odysseus in The Trip To Greece, once again engaging in the witty banter and dueling celebrity impressions that have become the hallmark of this Michael Winterbottom-stewarded comedy series. Kitty Green’s The Assistant is the first great #MeToo film, a scathing look at the mundane day-to-day ways in which gender-imbalanced abuse and unfairness are built into workplace systems. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. The specter of death is everywhere in this rustic residence, whose cluttered boxes and myriad artifacts are reflections of its owner’s mind, and whose creepy wall rot is echoed on Edna’s aged body. In the fictional northeast Brazilian town of Bacurau, residents are puzzled to discover that their home has disappeared from all GPS maps, and their cell service has ceased. Adapted from Jonathan Raymond’s novel The Half Life, Reichardt’s slow-burn drama focuses on a nomadic 1820s chef named Cookie (John Magaro) who, after arriving at a Pacific Northwest fort, befriends and goes into business with on-the-run Chinese loner King Lu (Orion Lee), baking and selling popular “oily cakes” made with milk stolen from a dairy cow owned by wealthy Chief Factor (Toby Jones). 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